This month, Instagram celebrates its fifth anniversary. To mark the occasion, Instagram announced (for the first time) the platform’s top five accounts. The names on the short list will not be surprising to anyone familiar with the current state of pop culture. Taylor Swift claimed the top spot (49.6 million followers), with the remaining four rounded out by Kim Kardashian (48.1 million), Beyoncé (47.2 million), Selena Gomez (45.9 million), and Ariana Grande (44.6 million).
What might surprise you is they are not the top five stars based on fan interest right now. Some are still in the top 10, but in a different order. In fact, Beyoncé doesn’t even crack the top 25. (See chart below.) We know this because ZEFR’s technology is able to go a level deeper than follower counts—which are a measure of historical activity—and analyze which influencers command the most fan attention today. When we talk about who is most relevant and influential in social media today, we want to rank people based on the here-and-now, not a wave of interest that may have crested eight months ago.
Think of how weird it would be to rank performers based on historical totals in other contexts. We wouldn’t name a US Open tennis champion based on total points won during the entire year. And we wouldn’t assess the trendiest restaurant based on the total stars accrued on their Yelp profile. Imagine if we measured TV by the total ratings points accumulated over the life of the show; we’d still be talking about M*A*S*H* and Cheers as must-buy hits at the top of the dial.
At first glance, these examples may sound comical, but that’s exactly the trap we’re falling into if we use subscriber and follower counts as our guideposts for who matters in social media. A follow is a one-time action that persists for a very long time. The engagements that ZEFR’s technology measures—and that we use to recommend the best talent to our brand clients—are real-time signals, indicating what talent fans still care about now. Using follower counts to identify what influencers are most significant is gravely misleading, and if you’re a brand investing in influencer marketing, it will result in wasted money and disappointing results.
With this in mind, ZEFR offers an alternative, more accurate ranking that we refer to as trending engagement. This is a proprietary projection of how much fan interaction an influencer will drive on future posts, which we derive from a recency-weighted average engagement on each channel, corrected for outlier posts and adjusted for the upward or downward trend of engagement on the channel.
Sorry Taylor, we have to award you the bronze medal for now. But if there’s one thing we know about social stardom, it’s that status can change in the blink of an eye. Maybe next month…
This is a series that spotlights culturally significant and popular uploads to YouTube, curated monthly by ZEFR Insights.
1. Mean Tweets Live
In the latest segment of “Mean Tweets” on Jimmy Kimmel Live!, celebrities read mean tweets
about themselves, this time in front of a live studio audience. This week-long segment included
A-list celebrities such as Kristen Bell, George Clooney, Bette Midler, and Halle Berry. The
best part was seeing the variety of reactions from each celebrity as they emerged from the curtains, phone in hand, to read the mean tweet directed at themselves. Some took the meanness with good humor, while others walked off looking sad and defeated. A few highlights include Andrew Garfield who burst into uncontrollable laughter and Benedict Cumberbatch who had a quick comeback to a tweet that involved a “cat’s anus.” In an age where it only takes a few seconds and less than 140 characters (for now) to tweet something hurtful, it’s important to remember that celebrities have
Yes, you read that correctly. But can you say it? Liam Dutton can. Channel 4 News weatherman impressively pronounced the 58-letter word with ease during the news broadcast. Llanfairpwllgwyngyllgogerychwyrndrobwllllantysiliogogogoch is a large village in Wales and has the longest place name in the UK. Today, the village is also known as Llanfair or Llanfair PG. The long-form of the village’s name was invented for promotional purposes in the 1860s. Clearly it’s working! The viral video now has over 12 million views.
3. Ryan Adams, “Shake It Off” (from Taylor Swift’s 1989)
Ryan Adams released a song-for-song cover of Taylor Swift’s multi-platinum album, 1989. Critics and fans have already compared the album to having similar vibes as Bruce Springsteen and The Smiths. The album debuted in the top ten of the Billboard 200, selling 56,000 units during its first week. Adams’ album is also available on Spotify and YouTube. By making the entire album available on YouTube, it allows fans to easily share and listen to their favorite songs over and over again. In fact, cover songs on YouTube are a giant trend.
4. Michelle Obama’s Post-White House Plans
The Late Show with Stephen Colbert is off to a running start this month. In his interview with
First Lady Michelle Obama, he asks her about her post-White House plans. Her answer turns out
to be surprisingly simple. In addition to continuing efforts in girl’s education, she wants to “open
windows.” She also told Colbert that she wants to do little things like “go to Target! I want to
drive!” Over the weekend, Obama announced the #62MillionGirls campaign—the number of girls
around the world who are not in school—as part of her “Let Girls Learn” initiative. The program was created to help young girls overcome barriers to complete their education.
Any music fan who flocks to YouTube to watch videos of their favorite artists has likely discovered the vast universe that exists on the platform devoted to cover songs. Before we delve any further into what this universe looks like and what it might mean for fans, artists, and music publishers, let’s ask the simplest question first: What is a cover song?
A cover song is any music performed or recorded by someone other than the artist who originally recorded, performed, or composed it. (There are legal nuances too complex to explore here, but quite simply, if you didn’t write the song, and you are performing the song, you are covering the song.)
ZEFR Insights has often written about how fans drive the most-viewed content on the platform. Normally, we highlight this essential fact as a roadmap for brands to maximize the potential of earned media to help shape and disseminate their message. But early on in the first decade of YouTube’s existence, the platform was initially known as a place where recent major pop stars first got their start. Fast forward to the 2.4 billion-view (and still growing) sensation that is Psy’s “Gangnam Style,” and you can now find countless examples of music icons using YouTube to their advantage. (See also: Katy Perry, Lana Del Rey, Gotye, etc.) Justin Bieber, in particular, launched into the mainstream on the power of a cover song he uploaded back in 2007 that caught the attention of label executives and landed him a recording contract.
YouTube as a Jukebox
It is not an overstatement to credit YouTube with the resurgence of music videos in the past decade. With the creation of networks such as Vevo, YouTube has turned into a go-to destination for young music fans to discover new artists, while creating a much-desired new revenue stream for music labels and artists. YouTube has become a preferred method for listening to music for millions of millennials, resulting in huge view counts as fans return again and again to hear a favorite song.
YouTube is, of course, also known for its user-generated content. A lot has been written about the rise of the YouTube star—the personalities that make original content and the lucky few whose homemade clips propel them into a new kind of celebrity—but the cover-song culture is thriving more than ever, years after it gifted us with Beliebers. Record executives, managers, and music publishers take heed: YouTube is perhaps the most unique music platform, where unknowns and Taylor Swift mingle as equals until some surprising cover by a stranger begins to pile up the views and another new star is born (while also amplifying the presence of the artist being covered).
To illustrate the power of cover songs on YouTube, ZEFR explored popular subsections of the cover-song universe on the platform, defining genres that grab the most views, while unearthing some surprising data about five of the top Billboard-charting “summer songs.”
This genre of covers is fairly self-explanatory. The song is recorded with acoustic instruments (i.e., acoustic guitar, ukulele, drums, flute, violin, etc). Many of these songs feature the creators singing as well, as the covers usually provide a perfect combination of familiarity along with a way to showcase the vocal talents of a possibly emerging talent.
Ryan Adams isn’t the only one giving his spin on Taylor Swift’s “Bad Blood.” Covers uploaded by virtual unknowns drive most of the cover-song traffic on YouTube. If you look at the chart below, ZEFR found that the covers uploaded by “famous” (or, established) musicians, such as Ryan Adams, are not driving the view traffic as much as “unknowns.” The cover-song community on YouTube, in fact, accounts for 15 times more views than those performed by well-known artists.
This is good news for music publishers, and young artists such as Tiffany Alvord, who has attracted over 2.5 million subscribers to her channel along with nearly half-a-billion views across all of her videos. The success of her channel is a result of the insatiable appetite of Swift’s fans, even for virtual unknowns covering her songs. This is a perfect example of how one artist can draw attention to her own talents while amplifying the popularity of a celebrity such as Swift. Alvord, via the music of Swift, has managed to boost her own profile as she extends the shelf-life of an already bona fide hit.
Again, looking at the same chart above, Alvord’s cover would be classified as a “fan/influencer” upload, while the Adams version (below) of the same Swift song would be considered a cover performed by a “famous musician.”
This genre of cover music is distinct from content originally composed for kids, in that it normally features “clean” versions of popular songs, covered by children. For example, if Wiz Khalifa’s “See You Again” isn’t exactly explicit, its themes might be more suited to adults. This is what makes MattyB’s cover version so endearing. With 28 million views so far, it’s not just a cover, it’s a hit too.
As distinct from a cappella covers, a vocal cover features a creator singing over the original track (or a nearly indistinguishable version of it). No instruments are played by the creator, but this covers subset isn’t to be confused with conventional karaoke, since the level of performance goes well beyond what you might expect to see in your local dive bar. Take this version of Jason Derulo’s hit “Want to Want Me” as interpreted by the group Cimorelli.
This sub-section of covers on YouTube is exactly as its name suggests: A creator covers a song but changes the style (genre) of music. Why? Well, let’s say you’re don’t actively dislike the Mark Ronson and Bruno Mars smash “Uptown Funk,” but you love heavy metal. Norwegian musician Leo Moracchioli might have a solution.
A Cappella Covers
If you’ve seen either Pitch Perfect or Pitch Perfect 2, you’re already an a cappella expert (of sorts). An a cappella cover is a song performed by an individual or a group using only voice. A cappella derives its signature sound from the the layering of vocal harmonies. Even “individual” a cappella videos often feature multiple tracks of the same singer blended together to achieve harmony.
Walk the Moon’s runaway hit, “Shut Up and Dance,” has racked up over 100 million views on YouTube, thus fueling the million-plus tally for this rendition uploaded by a cappella producer Mike Tompkins.